International Film Festival

Tuesday, 11 August
10.00am – Re-creation (Drama – 1 hr 29 min – Ireland)
In a fictitious trial, 12 members of a jury must decide whether journalist Ian Bailey is guilty of the 1996 murder of French filmmaker Sophie Toscan Du Plantier. Based on real events, the film reconstructs, through the discussions between these 12 people, a case that ultimately invites the viewer to draw their own conclusions.
12.15pm – My Friend Eva (Romance – 1 hr 40 min – Spain)
Eva has just turned 50. She’s been married for over 20 years and has two, teenage children. So far, nothing remarkable. But on a business trip to Rome something happens that turns her life upside down. She meets Alex, a scriptwriter who’s spending a few days in the Italian city. The instant attraction she feels for him, the butterflies in her tummy, the seductive hint of possibility… After all this time, she remembers what it feels like to fall in love and it shifts something inside of her. It reignites a fire that had long been extinguished.
6.30pm – Colours of Time (Comedy – 2 hr 4 min)
Directed by Cedric Klapisch, this sweeping French drama brings together family mystery, historical texture and artistic curiosity in a story that moves between contemporary Normandy and the final years of the 19th century. When four estranged cousins inherit a long-abandoned house, their investigation into its past gradually reveals the life of a young ancestor and opens a wider reflection on memory, kinship and the way personal histories continue to shape the present. What gives the film its distinctive appeal is the way it combines intimate emotion with a broader cultural backdrop. By linking the story to the emergence of photography and the Impressionist moment in Paris, it creates a visually rich setting that feels both historically detailed and emotionally immediate. Klapisch’s humanistic style helps the material remain warm and accessible, while the ensemble cast, including Suzanne Lindon, Abraham Wapler, Vincent Macaigne, Julia Piaton, Paul Kircher and Cecile de France, adds depth and strong cross-generational appeal. Presented Out of Competition at Cannes in 2025, it arrives with clear prestige and strong appeal for patrons interested in French cinema, family storytelling and elegant period-inflected drama.