REVIEW | With a spoonful of imagination and a full measure of heart, PLC Armidale’s production of Mary Poppins was a delight from beginning to end — and proved just how magical high school theatre can be.
Choosing to stage the entire musical — not a condensed version — is a bold move, and one that pays off in this sharply directed and energetically performed production. From the clever opening to the final bow, the cast and crew delivered a show that was both technically impressive and emotionally resonant. Hats off to director and choreographer Jo Wysel.
Mary’s magic was cleverly executed — have you ever wondered how they pull all those objects out of the carpet bag? One of the many highlights was the commanding showdown between Miss Andrew and Mary Poppins in Brimstone and Treacle. Bridie O’Neill gave a powerhouse performance as the terrifying Miss Andrew, holding her own against the iconically perfect nanny, played with poise and warmth throughout by Arlie Bragg.
The staging made particularly inventive use of the Town Hall’s compact space. A raised set, multiple levels, and a catwalk breaking the fourth wall created a dynamic flow — with characters sweeping around the orchestra, drawing the audience into the story.
And what a difference a well-executed, twelve-strong live orchestra makes, expertly conducted by Matthew Minter. Far from a background element, the music held the production together, elevating each number and supporting the confident vocal performances throughout.
The production values — from the set to lighting to sound — delivered a level of polish that lifted the entire production. All credit to producer Kate Clynch and the team of people needed to bring the show to life.
Congratulations to the whole cast, who all delivered confident performances throughout the production. The cast, entirely female, is so well directed and engaging that you quickly forget this detail — a testament to their skill and the strength of the storytelling. Accents, often a challenge in school productions, were remarkably consistent. Teya Catteral, as a charismatic and nimble Bert, handled his iconic Cockney with flair, while Arlie Bragg’s crisp and composed Mary Poppins was equally strong in both dialogue and song. India Smith gave a heartfelt performance as Mr George Banks, delivering his emotional arc with maturity and nuance.
Costumes were effective, lighting well used, and choreography spirited and synchronised — particularly during ensemble showstoppers like “Supercalifragilisticexpialidocious” and “Step in Time”. The attention to detail in the direction and ensemble work ensured that even the smallest moments felt deliberate and cohesive.
Another moment of quiet emotional weight came with the Bird Woman’s rendition of “Feed the Birds,” performed beautifully by Mem Lay, drawing the audience in with its sincerity.
The performance had the polish and energy of a confident opening night — a spit spot example of what student theatre can achieve with vision and dedication.
Unfortunately, the show’s short season means it’s now too late to grab a ticket — but if Mary Poppins is any indication, you won’t want to miss PLC Armidale’s next production.
With a little magic, a lot of talent, and just the right wind, this production has truly flown high.
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